Become a Fashion Icon with Yana Bononi. Made With KineMaster

Hello everyone! My name is Yana Bononi. I’m a fashion and lifestyle blogger based in New York City. On my YouTube and Instagram platforms, you will learn about fashion, lifestyle, and how to create super cool content.

Today I’m very pleased to be here on KineMaster’s channel to share with you three easy steps to create a stylish mini vlog for your social media using beautiful effects from KineMaster.

First, I will show you how to adjust the video speed to create a nice slow-motion effect. Then you will learn how to apply some special effects to add action on it. I also will show you how to add music to make your content look even more impressive.

 Let’s open the app and get started. Once you’re in KineMaster tap the Plus Icon here to create a new project. And here you have to choose the aspect ratio based on the primary social platform you are planning to use this content for.

 I’m going to choose the 16×9 ratio. Tap Media. This will bring you to your camera roll where you can choose the video you are planning to work with. I’m planning to work with a couple of videos and connect them with my favourite transitions from KineMaster.

Step one: Speed.

By saying Slow motion, I mean slowing down the regular video pace. This adds to your video’s cinematic effect and helps to smooth some camera distortion. By tapping on the video, we can see that the Tools window opens. Here I’m choosing Speed and scrolling the speed slider to the right to make the speed 0.5. Your video doesn’t have to be too slow, so try to find balance.

Step two: Effects.

The effects I will show you today I’m using to create a beautiful transition between some action parts. It is best to use them when you are changing the position of the camera or on the space between videos, right here.

All the effects can be downloaded from the Asset Store button, which is below the Media Wheel in your project to the left. I have already preinstalled mine. Today I will play around with my new four favourite effects.

 To add an effect, tap on your video. Go to Clip Graphics, choose the group you are interested in, and tap on the particular effect. As soon as you will choose one, the app will show you how this effect looks in the video.

 You also can adjust the length of the effect by moving the yellow frame. The shorter you will make it, the faster the effect will be played and then disappear.

 Step three: Transitions.

You can only use one transition per video clip, so if you want to add more transitions, you’ll have to split your video into parts. To do so, tap your video and hold it while moving the timeline. As soon as you find the right spot, tap on the Trim/Split Tool and choose Split at Playhead.

Now your video has two parts. You can keep splitting your video to make more transitions. This will allow your project to look more interactive and entertaining since viewers like to see action.

One important thing to mention is that not all the effects work for every ratio, so please pay attention to that.

Step four: Music.

Music is essential for a vlog and helps to create the right mood. In the KineMaster Asset Store, you’ll find a large selection of music and sounds. As soon as you’ve downloaded the one you like, simply tap the audio button on the panel and choose the music. You will see that all the downloaded sounds will already be in there.

Tap the one you want and then tap the Plus (+) icon. You can choose which part of the song you’d like to use, as well as press, hold and drag to move around your music clip if you want it to appear somewhere else in your video.

KineMaster is incredibly flexible when you are working with sound and allows you to overlap sounds as well as mix them and regulate the volume.

Last Step: Export.

Our video is ready to go. To export the video tap the Export and Share icon on the upper right corner and choose the resolution of your choice.

Then the frame rate and then the bitrate quality using the sliders. Then tap export. I’m uploading my video to Instagram, so I chose 1080p at 30fps. Follow these 5 easy steps to have an amazing mini vlog!

I hope you’ve enjoyed this video, and that you’re ready to create your masterpiece. If you have any questions be sure to leave a comment below. And if you don’t have KineMaster yet, you can get it on Apple’s AppStore and Google Play. Just use the link in the video description or search for KineMaster.

 Your support is very important so don’t forget to put a thumbs up to show you want more cool videos. Thanks, KineMaster for having me, and don’t forget to subscribe for more awesome KineMaster tutorials. Hope to see you soon again guys! Mua!!

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Head-Turning Effects With Josh Morgan | Made with KineMaster application

In the present article, Let’s see how the split body effect works. This is an illusion where it looks like the upper body is being split away from the lower body. This effect is going to require a few things: your camera or phone and a tripod. What’s more, obviously, we will be utilizing the KineMaster application. If you don’t have KineMaster, check out the link box

to download it and give it a try. Let’s get right into it.

Welcome to my living room. So to make this effect work, use something horizontal. For example, this railing right here, allows me to split up my body quickly. So we need something that can block a portion of your body.

We are going to use the Cropping effect to crop two different scenes together. I understand it sounds a bit confusing, yet I will show you exactly what I want to say in a second. We are going to reenact the scene twice.

One for the upper part of your body and one for the depress part of your body.  Timing is essential here, so during the scene, I’m going to be counting in my head how long I need to take each step for.

One step, one second. The second step, another second. I memorize the position of my feet; that way is going to match precisely to the upper body clip. Now I act as if I see my legs walking away from my upper body, and that’s what makes this scene work. Now that that’s done let’s focus on the lower portion of the body.

So again, I’m reenacting the same timing, and then I continue moving for the remainder of the horizon of the railing. Remember, if I go beyond the fence, you are going to see that crop and the effect are ruined. So we are going to stay behind the railing, and that’s what’s going to make this effect work.

Editing Trendy Videos with Kinemaster pro and Riley McCann.

Now that we’ve shot our footage let’s load it up into KineMaster and edit it. Open a new project—16×9 widescreen. Go to Media, All, and import the shot right here. Trim the clip right up until I come out of the wall. Right about here.

Tap the clip and trim it. Now that we made the trim let’s duplicate it as a layer make sure the video clip is selected, then go to the upper left corner and tap on the three dots. Then, Duplicate as Layer.

Now resize the video clip, so it fills the whole frame. Select the Checkmark and now let’s crop it. Remember, we are only going to be using this as the lower half clip. So I’m just going to crop out the upper portion of this video clip down to the bottom of the handrail. Right about there, then hit the Checkmark. Now, with that layer selected, I scrub through until I find the part of the clip where my legs wander off.

Start to Finish. Made with Kine Master. Hindi

Right about here, I would say. We want the timing to be perfect. Now bring it over to the beginning of the timeline. Now we have to match up the timing of both clips. Let’s play it back. We’re almost there; It seems as if the layered clip is going a little bit too fast. So let me expand it just a little bit and let’s see if that helps. Let’s play it back. Now, all you have to do is export the video. Use the highest quality possible. And that’s it! You’re all done! As you can see, KineMaster is a potent tool that allows you to create these seamless effects. If you haven’t, check out KineMaster now by clicking on the link in the description box below. And that’s it for now. Thanks for watching!

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Editing Trendy Videos with Kinemaster pro and Riley McCann. Made With Kine Master

Editing Trendy Videos with Kinemaster pro and Riley McCann

Making videos with your family and friends can be so much fun. This week I’ve created some new videos with my brother Liam who’s quite the magician. Let’s check it out. I know! It looks like the printer forgot to print anything on this card. Helps with Kinemaster pro

It’s a real shame as well due to the fact that the back is pretty lovely. Oh well.  I guess cards are off the table today. Wait! What just happened?! As you will soon see, the main trick in this video is how it easy was edit in KineMaster. First, create a Background in KineMaster. There heaps of backgrounds to choose from.

Pick one you like or choose a costume colour. Next, I filmed my brother on a blue screen and added it as a Layer over my Background. You can key out heaven colour with the click of a button. Exactly how very easy is that! Next, we can accentuate the moment the card changes by adding one of the in-built SFX on the Assets Store.

This whooshing sound is included free, and they’re a hundred more effects included with the paid subscription. Because I have the Premium subscription, I used this cool Overlay with the blue, green and the red colour layer on top. Select the colour layer, select Blending and choose Overlay.

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Looks great! You can add a voice-over by clicking the microphone symbol and top it all off with a soundtrack in the KineMaster Asset Store. Life can be challenging when you’re hungry, and you don’t have any money. But what if my brother could magically make menu items appear? That’s what I’m talking about! Hey, leave some for me! This video involved a little trickery behind the scenes.

First, snap the menu at an empty table, then hold the position while your mom sets up the churros. Snap your menu again and in KineMaster make a cut in between the menu snap and your audience will never know…unless they’re watching this video.

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Strike the like button if you’re watching right now!  Planting a veggie patch at home is all very well, but it takes so long for anything to grow! Look at the time, seeds! I haven’t got all day!  Thank you. Once more, you will require a good friend to develop this video clip. Set your camera on the tripod and start planting and watering your seeds. Without moving, have someone strong bring in a new pot filled with lovely home greens.

Thanks, Dad! In KineMaster, cut out the bit where the sneaky switch takes place. Go to town with some Overlays from the Asset Store. This rains SFX adds some pop to my video. All these SFX are included with the Premium subscription. Okay, guys! It’s time for me to go, and it’s time for you to get creative with KineMaster.

I’m Riley. If you like my video clips, struck the thumbs up, as well as I’ll make some extra. If you have a question, drop a comment below, and we will do our best to answer. Creating videos is comfortable with KineMaster. See you next time!

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Start to Finish. Made with Kine Master. Hindi

इस प्रक्रिया के माध्यम से, आप सीखेंगे कि मीडिया को किनेमास्टर में कैसे इम्पोर्ट किया जाता है, सीक्वेंस को एडिट करना, ट्रांसिशन्स ऐड करना, ग्राफिक्स और म्यूजिक जोड़ना, और अपने अंतिम वीडियो को एक्सपोर्ट करना। जब आप पहली बार किनेमास्टर खोलते हैं, तो आप यह होम स्क्रीन देखेंगे।

मैं एंड्रॉइड डिवाइस पर काम कर रहा हूं, लेकिन आईओएस डिवाइस पर भी प्रक्रियासमान है, और जैसे हम बढ़ते जायेगे मे दो ऑपरेटिंग सिस्टम के बीच किसी भी महत्वपूर्ण अंतर के बारेमा आपको बताओगे। बिच में यह बड़ा बटन एक नई प्रोजेक्ट शुरू करने के लिए है। बाईं ओर गियर आइकन सेटिंग के लिए है। प्रश्न चिह्न वाला मिडिल बटन मदद और सपोर्ट के लिए है। और दाईं ओर अंतिम बटन किनेमास्टर एसेट स्टोर के लिए है। एसेट स्टोर में एडिशनल रिसोर्सेज हैं जिन्हें आपके वीडियो में उपयोग करने के लिए डाउनलोड कर सकते है।

यदि आपके पास पहले से ही प्रोजेक्ट हैं, तो वे यहां भी दिखाई देंगे। नया किनेमास्टर प्रोजेक्ट शुरू करने के लिए, प्लस आइकन पर टैप करें। IOS पर एक नया खाली प्रोजेक्ट तुरंत खुलेगा, एंड्रॉइड पर रहते हुए हम एक खाली प्रोजेक्ट या प्रोजेक्ट असिस्टेंट के साथ शुरुआत कर सकते हैं। प्रोजेक्ट असिस्टेंट आपको ग्राफिक्स और म्यूजिक जैसे थीम वाले तत्वों को जोड़कर एक वीडियो बनाने में मदद करता है।

मैं एक खाली प्रोजेक्ट के साथ शुरुआत करूंगा। आइए एडिटिंग इंटरफ़ेस मे एक नज़र डालें। आपके प्रोजेक्ट में मीडिया को जोड़ने के लिए दाईं ओर मीडिया व्हील है। मीडिया ब्राउज़र खोलने के लिए टॉप मे मीडिया पर टैप करे जहाँ आप अपने प्राइमरी मीडिया ट्रैक में इमेज या वीडियो जोड़ सकते हैं।

अगला लेयर बटन है, जिसका उपयोग आपके प्राइमरी मीडिया ट्रैक के ऊपर दिखाई देने वाली इमेज , वीडियो, ग्राफिक्स या पइफ़ेक्ट को जोड़ने के लिए किया जा सकता है। यह ध्यान रखना महत्वपूर्ण है कि वीडियो लेयर केवल सुप्पोर्टेड डिवाइस पर उपलब्ध होगी जो इस सुविधा का उपयोग करने की छमता रखता है। अगला वॉयस बटन है, जो आपको अपने वीडियो के लिए नरेशन रिकॉर्ड करने देता है दाईं ओर स्थित ऑडियो बटन आपको अपने डिवाइस से या एसेट स्टोर से ऑडियो फ़ाइलों का सेलेक्ट करना देता है।

और अंत में बीच में एक कैमरा बटन है जो आपको सामने या पीछे के कैमरे के साथ इमेज या वीडियो लेने की अनुमति देगा। आइए प्रोजेक्ट में हमारी पहली क्लिप जोड़ें। मीडिया बटन टैप करें, फिर एक फ़ोल्डर। मैं कैमरा फ़ोल्डर चुनुँगा। आप मेरे कैमरा फ़ोल्डर में देख सकते हैं कि मेरे पास इमेज और वीडियो दोनों हैं थंबनेल के नीचे बाईं ओर स्थित आइकन आपको दिखाते हैं कि यह एक इमेज है, या एक वीडियो है। आप इसे अपनी टाइमलाइन में जोड़ने के लिए क्लिप पर टैप कर सकते हैं। या, अधिक जानकारी के लिए एक क्लिप पर लंबे समय तक दबाएं। यहां आप वीडियो का प्रीव्यू कर सकते हैं।

अपने पसंदीदा फ़ोल्डर में क्लिप जोड़ने के लिए स्टार पर टैप करें। इस क्लिप को अपने प्रोजेक्ट में जोड़ने के लिए प्लस आइकन पर टैप करें। और क्लिप को हटाने के लिए ट्रैश आइकन का उपयोग करे। जब आप अपने इच्छित मीडिया को चुन लेते हैं, तो कोने में चेक मार्क दबाएं।जो मीडिया आपने अपने प्रोजेक्ट में जोड़ा है, वह टाइमलाइन पर दिखाई देगा। टाइमलाइन में एक क्रम में मीडिया क्लिप हैं।

प्लेहेअड आपको यह दिखाता है कि आप वीडियो के किस समय में हैं। पिंच-टू-जूम मोशन के साथ, आप टाइमलाइन पर ज़ूम इन या ज़ूम आउट कर सकते हैं। अपने वीडियो को प्ले करने के लिए इस प्ले बटन का उपयोग करें। जब आप टाइमलाइन पर एक क्लिप चुनते हैं, तो आप ऑप्शन पैनल खोलेंगे। इस पैनल में उस क्लिप के लिए स्पेसिफिक ऑप्शन हैं। एक उदाहरण के रूप में, मैं इस क्लिप पर ऑडियो म्यूट कर सकता हूं।

मैं इस स्पीकर आइकन को ऑडियो ऑप्शन के लिए टैप करूंगा, फिर ऑडियो को म्यूट करने के लिए ऑडियो स्लाइडर के ऊपर इस छोटे स्पीकर को टैप करें। ऑप्शन पैनल पर वापस जाने के लिए ऑप्शन टाइटल के बगल में बायाँ एरो दबाएँ या यदि आप ऑप्शन पैनल के साथ कर रहे हैं तो चेक मार्क दबाएँ। स्क्रीन के बाईं ओर एक्शन बार है। सबसे ऊपर एक अनडू बटन है, और उसके नीचे, एक रीडू बटन है। शेयर बटन आपको अपने तैयार वीडियो को एक्सपोर्ट करने और सेव करने का आप्शन देता है।

सेटिंग्स बटन आपको उस प्रोजेक्ट के लिए ऑप्शन देता है जिस पर आप काम कर रहे हैं। यह एक्सपैंड बटन आपको टाइमलाइन को और अधिक देखने की अनुमति देता है, जो आपके प्रोजेक्ट में कई लेयर होने पर काम आता है। और यह जंप बटन प्लेहेड को टाइमलाइन के आरंभ या अंत में ले जाता है। iOS यूजर्स नोटिस करेंगे कि एक्शन बार थोड़ा अलग है। एक्सपोर्ट और शेयर आइकन के स्थान पर यह सहायता चिह्न है जो प्रश्न चिह्न की तरह दिखता है।

एक्टिवेट होने पर, आपको स्क्रीन पर उपयोगी सुझाव दिखाई देंगे। एक्सपोर्ट और शेयर आइकन को स्क्रीन के ऊपरी दाएं कोने में ले जाया जाता है, और रिटर्न टू प्रोजेक्ट सबसे ऊपर के बाईं ओर मे है। जब क्लिप सेल्क्ट किया जाता है तो एक्शन बार भी बदल जाता है यह पहला आइकन आपको टाइमलाइन पर मीडिया के स्टील फ्रेम को कैप्चर करने का आप्शन देता ह ट्रैश कैन, चुने हुवे क्लिप को हटा देता है। और यह मेनू आपको क्लिप को डुप्लिकेट करने के लिए आप्शन देता है। यदि मैं इस क्लिप को एक लेयर के रूप में डुप्लिकेट करता हूं, तो आप देखेंगे कि एक्शन बार फिर से बदल जाता है।

अब इस मेनू में लेयर ऑर्डर, साथ ही लेयर को डुप्लिकेट करने के लिए आप्शन हैं। इस लेयर को अपने वर्तमान समय में पिन करने का आप्शन भी है। और यह की आइकन एक एनीमेशन पैनल लाता है। लेयर एनीमेशन इस ट्यूटोरियल के दायरे से परे है, इसलिए अभी मैं इन क्लिप को हटाने जा रहा हूं। फिर मैं अपने पसंदीदा फ़ोल्डर से कुछ और मीडिया क्लिप जोड़ूंगा। मैं मीडिया, और फिर फेवरेट्स टैप करूंगा। फिर मैं उस क्लिप पर टैप करूंगा जिसे मैं अपनी टाइमलाइन में जोड़ना चाहता हूं।

जब मेरा मीडिया ब्राउज़र में काम ख़तम होजायेगा, तो मैं चेक मार्क पर टैप करूँगा। फिर मैं एडिटिंग शुरू करने के लिए टाइमलाइन की शुरुआत में वापस जाओगा। वो पहली चीज जो आप क्लिप के साथ करना चाहते हैं, उन्हें केवल सबसे अच्छे भागों को दिखाने के लिए ट्रिम करना। ऐसा करने के लिए कुछ तरीके है। मैं टाइमलाइन पर क्लिप को चुनुँगा, और इन और आउट पॉइंट्स को मिलाने के लिए क्लिप के आरंभ और अंत में पीले हैंडल पर खींच सकता हूं।

क्लिप को ट्रिम करने का दूसरा तरीका विकल्प पैनल से है। मैं कैंची आइकन पर टैप करूंगा, और जैसा कि आप देख सकते हैं, क्लिप को ट्रिम करने और विभाजित करने के लिए यहां अधिक आप्शन हैं। पहला आप्शन क्लिप के किसी भाग को प्लेहेड के बाईं ओर ट्रिम कर देगा, और इसी तरह, दूसरा आप्शन प्लेहेड के दाईं ओर कुछ भी ट्रिम कर देगा। प्लेहेड पर क्लिप को दो में विभाजित करने के लिए इस आइकन पर टैप करें। मैं बस उसे अनडू कर दूंगा।

एक्सट्रैक्ट ऑडियो वीडियो से ऑडियो को विभाजित करता है ताकि आप इसे टाइमलाइन पर अलग से एडिट कर सकें। और अंत में, स्प्लिट और इंसर्ट फ़्रीज़ फ़्रेम प्लेहेड पर क्लिप को विभाजित करता है, और उस फ़्रेम को स्टिल इमेज के रूप में इन्सर्ट करता है। ठीक है, मैं इसे भी अनडू करूंगा। और फिर मैं टाइमलाइन के माध्यम से, क्लिप को अपने चाहा के मुताबिक उस लंबाई तक ट्रिम कर दूंगा। आपको हर एडिट को देखने से बचाने के लिए, मैं उस पॉइंट तक स्किप करने जा रहा हूँ जहाँ मैंने अपनी सभी क्लिप को ट्रिम किया है।

आप किसी भी क्लिप पर लंबे समय तक दबाकर टाइमलाइन पर मीडिया को फिर से रओर्डेर सकते हैं, और फिर इसे उस स्थिति तक ड्रग सकते हैं जो आप चाहते हैं। अगली चीज जो मैं करना चाहता हूं वह है मेरी क्लिप के बीच ट्रांजीशन जोड़ना। ट्रांजीशन जोड़ने के लिए प्रत्येक क्लिप के बीच बॉक्स पर टैप करें।

ट्रांजीशन शैली द्वारा ग्रुप किया गया हैं, और एसेट स्टोर में और भी आप्शन उपलब्ध हैं। क्युकी इस वीडियो में एक स्लाइड शो शैली है, मैं प्रेजेंटेशन केटेगरी से ट्रांजीशन चुनूंगा। कुछ ट्रांजीशन एक बार सेलेक्ट होने पर और ज्यादा आप्शन प्रदान करते हैं। इस मामले में, मैं एनीमेशन का डायरेक्शन को चून सकता हूं।

एनीमेशन की अवधि बदलने के लिए इस स्लाइडर का उपयोग करें। मैं अब अपने पूरे वीडियो में इसी तरह के ट्रांजीशन जोड़ने जा रहा हूँ। फिर से, आपको एक ही चीज़ को बार-बार देखने से बचाने के लिए, मैं उस पॉइंट तक स्कीप करने जा रहा हु जहाँ मैने मेरे सभी ट्रांजीशन जोड़ा हैं। टेक्स्ट लेयर को जोड़कर इस वीडियो को एक टाइटल दें। लेयर टैप करे , और टेक्स्ट। मैं टाइटल के लिए सैन फ्रांसिस्को टाइप करूंगा, फिर ओके दबाऊंगा।

पहली चीज जो मैं करने जा रहा हूं, वह कोने से ड्रैग करकर लेयर को स्केल करना है। फिर मैं स्क्रीन पर ड्रैग करके टेक्स्ट की स्थिति बदलूँगा। आगे मैं टेक्स्ट का रंग बदलना चाहता हूं। कलर पिकर के लिए यहां टैप करें। कलर पिकर में हाल ही में उपयोग किए गए रंगों के सैंपल और साथ ही एक स्टैण्डर्ड कलर पैलेट शामिल हैं। या आप इस कलर व्हील का उपयोग करके अपने रंग को चुनने के लिए यहां टैप कर सकते हैं।
या RGB स्लाइडर का उपयोग करने के लिए इस आइकन पर टैप करें। पिकर के नीचे स्थित स्लाइडर टेक्स्ट की ट्रांसपेरेंसी को बदल देता है। मैं कलर पैलेट में वापस जाऊंगा, और इस लाल रंग को चुनूंगा जो मुझे गोल्डन गेट ब्रिज की याद दिलाता है। फिर मैं कोने में चेक मार्क टैप करूंगा। अगला मैं फ़ॉन्ट बदलने के लिए यहां टैप करूंगा। फ़ॉन्ट आप्शन को विभिन्न श्रेणियों में छाँटे गया है, और आप यहां टैप करके एसेट स्टोर में अधिक आप्शन भी पा सकते हैं। मैं डांसिंग स्क्रिप्ट बोल्ड चुनूंगा, और फिर चेक मार्क टैप करूंगा।
ऑप्शन पैनल में नीचे स्क्रॉल करते हुए, आप देखेंगे कि टेक्स्ट के लिए अधिक आप्शन हैं। इस लेयर पर डिफ़ॉल्ट रूप से एक शैडो सक्षम की गई है। मैं कलर पिकर खोलने के लिए काले सर्कल पर टैप करने जा रहा हूं, और इस शैडो के लिए सफेद चुनूंगा। एक आखिरी चीज जो मैं इस टेक्स्ट लेयर के साथ करना चाहता हूं वह है एक इन और आउट एनिमेशन। लेकिन पहले मैं अपनी पहली क्लिप के समान लंबाई ट्रिम कर दूंगा।

मैं क्लिप को लंबे समय तक दबाऊंगा और आगे बढ़ाऊंगा। फिर मैं अपनी क्लिप के अंत की ओर स्क्रब करूंगा, अपनी लेयर को चुनुँगा और दाईं ओर ट्रिम करूंगा। अब मैं अपने इन एंड आउट एनीमेशन जोड़ सकता हु। मैं एनीमेशन में टैप करूंगा, और मैं फेड चुनूंगा। मैं एनीमेशन की अवधि को 0.5 पर सेट करने के लिए नीचे स्लाइडर का उपयोग करूंगा। फिर मैं विकल्प पैनल पर वापस जाऊंगा, और आउट एनीमेशन चुनूंगा। मैं फिर से फेड चुनूंगा, अवधि को 0.5 तक सेट करूंगा। फिर मैं चेक मार्क पर टैप करूंगा।

आइए देखें कि यह कैसे दिखता है। मैं वीडियो के अंत में इस तरह का एक और टाइटल रख सकता हूं। मैं टाइमलाइन की शुरुआत में जाने के लिए जंप बटन का उपयोग करूंगा, और उसे अंत तक इस्तमाल करुगा। वीडियो के अंत के पास, मैं विश यू वेयर हियर टेक्स्ट जोड़ना चाहता हूं। मैं लेयर, टेक्स्ट पर टैप करूंगा। फिर मैं अपने कीबोर्ड पर विश यू वेयर हियर टाइप करूंगा और ओके पर टैप करूंगा। अब मैं उसी प्रक्रिया का पालन करूंगा जो मैंने शुरुआती टाइटल के लिए की थी। मैं अपनी अंतिम क्लिप के अंत के पास टेक्स्ट को ट्रिम कर दूंगा।

फिर मैं आप्शन पैनल पर वापस जाऊंगा, और टेक्स्ट की स्थिति और आकार को एडजस्ट करूंगा। मैं अपना फ़ॉन्ट, और रंग बदलूंगा। और अंत में, मैं शैडो कलर को बदल दूंगा। ठीक है, यह बहुत अच्छा लग रहा है। मैं बस इसे थोड़ा बड़ा कर सकता हूं, और फिर मैं अपना इन एनीमेशन और आउट एनीमेशन जोड़ सकता हूं। फिर से, मैं एक फेड का उपयोग करूंगा, जिसकी अवधि 0.5 तक होगी। और आउट एनीमेशन पर भी यही बात है।

ठीक है, मैं इसे वापस देख सकता हूं कि यह कैसा दिखता है। और मुझे यह पसंद है, तोह अब मैं जो करना चाहता हूं वह इस वीडियो में एक म्यूजिक ट्रैक जोड़ना है। मैं टाइमलाइन की शुरुआत में वापस जा रहा हूं, और मीडिया व्हील पर मैं ऑडियो टैप करूंगा यह ऑडियो ब्राउज़र आपके डिवाइस पर फ़ोल्डर्स दिखाता है जिसमें ऑडियो फ़ाइलें हैं। टॉप पर म्यूजिक एसेट्स फ़ोल्डर उन गीतों को दिखाता है जिन्हें मैंने किनेमास्टर एसेट स्टोर से डाउनलोड किया है। अधिक ट्रैक प्राप्त करने के लिए, आप स्क्रीन के कोने में एसेट स्टोर आइकन टैप कर सकते हैं।

आप यहां से म्यूजिक ट्रैक्स या साउंड इफेक्ट्स का डाउनलोड और प्रीव्यू कर सकते हैं। मैं थॉम्प को चुनुँगा, और फिर ट्रैक का प्रीव्यू करने के लिए प्ले बटन दबाऊंगा। अगर मैं इस ट्रैक का उपयोग करना चाहता हूं, तो मैं डाउनलोड बटन टैप करूंगा। क्युकी मैं जिस ट्रैक का उपयोग करना चाहता हूं, वह पहले ही डाउनलोड हो चुका है, मैं ऑडियो ब्राउज़र पर वापस जाने के लिए कोने में स्थित एक्स पर टैप करूंगा फिर मैं नियॉन सिटीस्केप नाम का गाना चुनने जा रहा हूं। जब मैं ट्रैक को चुनता हु, तो मुझे यहां से भी प्रीव्यू करने का आप्शन मिलता है।

बस प्ले आइकन पर टैप करें। जब आप अपने प्रोजेक्ट में ट्रैक जोड़ना चाहते हैं, तो प्लस आइकन पर टैप करें। अब आप ट्रैक को टाइमलाइन में नीचे देख सकते हैं। मैं ऑडियो ब्राउज़र से बाहर निकलने के लिए चेक मार्क पर टैप करूँगा। ऑडियो ट्रैक का सेलेक्ट करने से आपकी ऑडियो फ़ाइल के लिए आप्शन पैनल खुल जाएगा। वॉल्यूम को एडजस्ट करने के लिए, स्पीकर आइकन पर टैप करें।
वॉल्यूम बढ़ाने या कम करने के लिए इस स्लाइडर का उपयोग करें। जब आपको लगता है कि आप अपने वीडियो बनाचुके है, तो मैं इसे वापस खेलने की सलाह देता हूं ताकि आप ये सुनिश्चित कर सके की आपने कुछ भी नहीं भूले । इससे भी बेहतर, आप होम स्क्रीन पर वापस जा सकते हैं, अपनी प्रोजेक्ट को सलेक्ट कर सकते हैं, और इस स्क्रीन से आप अपनी प्रोजेक्ट को एक टाइटल दे सकते हैं। बस वहा टैप करें जहाँ अनटाइटल्ड लिखा हुवा है , और एक नए नाम में टाइप करें। फिर आप इस प्ले बटन का उपयोग अपने वीडियो पूर्ण स्क्रीन का प्रीव्यू करने के लिए कर सकते हैं।

इस स्क्रीन मे अन्य आप्शन आपके प्रोजेक्ट को एक्सपोर्ट करने, आपके प्रोजेक्ट को डुप्लिकेट करने, या प्रोजेक्ट को हटाने के लिए हैं। एक्सपोर्ट और शेयर बटन टैप करें, और आप वीडियो गैलरी में सेव करना चुन सकते हैं, या यूट्यूब, फेसबुक, गूगल प्लस, या ड्रॉपबॉक्स पर अपलोड कर सकते हैं। मैं इस वीडियो को गैलरी में सेव करना चुनूंगा, और मैं 1920 में 1080 फुल एचडी पर अपने वीडियो को एक्सपोर्ट करूंगा।

एक्सपोर्ट प्रक्रिया iOS पर भी समान है। एक्सपोर्ट और शेयर आइकन टैप करें, और इस मामले में हम वीडियो की क्वालिटी और फ्रेम रेट को चुनेगे। ये सेटिंग्स ठीक हैं, इसलिए मैं एक्सपोर्ट पर टैप करूंगा। एक बार वीडियो एक्सपोर्ट होने के बाद, आपके पास इसे यहां से शेयर करने का आप्शन मिलेगा। तो अब आप एक बहुत अच्छा आईडिया होना चाहिए कि किनेमास्टर मे कैसे एक प्रोजेक्ट को शुरू से अंत तक लेजाये। मुझे उम्मीद है कि यह वीडियो आपके लिए उपयोगी रहा है, और देखने के लिए बहुत बहुत धन्यवाद।

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Refugee Journey w/ Harry Chun. Made with KineMaster

First of all, it was way too many people in this scene, a small boat, so I couldn’t even reach my camera equipment, which was buried on there you know someone since food, so I started filming in a wit only with my smartphones. Living in Amsterdam is quite entertaining. A lot of Arts that happen here is quite vibrant so find a lot of inspirations at the same time every time I go to some troubled regions realizing it’s only four or five hours flights away can I get me uneasy. Made with KineMaster

Feeling my last trip tierod, I encountered internally displaced people. We’re just escaping from the ISIS control area. I mean, the reason that I wanted to go deeper than most unit journalists when I followed refugees. First of all, I wanted to see what they go through, not so soon from the surface. That’s why I decided to follow their entire journey. Like I mean, everything was uncertain, and that was scary. At least you know I knew when I was going back home, you see for them a lot of them were doing it, you know for their next generation for their children.

 I was constrained with the agreement with my refugee’s story because when I got to the shore and when the smugglers are threatening, you know all the refugees, of course, I couldn’t reveal my identity by getting my camera equipment. So I was just secretly starting to fill me in a little bit only with my smartphone.

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The position was completely off because when I listen are very rocky moving boats, I thought for the first time, you should consider working with different tools at an additional time.

Even when I decided to do video work, I was never really confident to edit my job, so in that sense, uh when I first know heard and saw like how at work. Was pressing in my bag you know that it is particular for someone like me that I could no choose benefit from it. First of all, you can do this you know on the move you can do that work now on your mobile phone, which is always available, and you have this you know the instant you know the feedbacks you see while you’re in the field.

 You know what you’re missing me what you can add to make the story better and that then I’m seeing a huge potential for a lot of work in general with industry.  actually, uh any of my own, I do know that it affects my life, and every single step I go out it’s a learning curve any experience for me, but at the same time, I do wish that my photos can convey the same you know feeling you know for others…

image: KineMaster

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Level Up Your Workflow with Eddie Melendez | Made with Kine Master

What’s up everybody, welcome back. Thank you so much, for came to my website. In this articel, I’m sharing five workflow tips for KineMaster. Let’s go.

Before we proceed, hit that like button, subscribe and download KineMaster, in Google Play Store or the App Store. The link is Now:

Get the latest version of KineMaster here: ‪…

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Jumping straight to tip number one:

We want to make sure we organize our videos. I like to manage my albums videos because it’s a lot easier to find the right clips when editing in KineMaster.

Sometimes I organize my videos based on the overall project, and sometimes I organize them by type. Sometimes, I might have an A roll album or B roll album; sometimes, I would manage by the camera. Most phones at this point automatically organize your footage by kind.

KineMaster taps into the library and shows these albums when selecting your videos. If you’re working on a long project on iOS and your device has enough room, make sure you enable Download and Keep Originals. This can help big time when editing remote with no internet connection.

Jumping to tip number two:

The Assets Store, in my opinion, is the most crucial feature in KineMaster. That’s what sets it apart. No plugins, no hassles, just a quick download. Whether you’re looking for Special Effects, Transitions, Stickers To decorate, and amplify emotions as well as titles, the Asset Store is full of options. I often go there for inspiration. I recommend modifying your videos with Clip Graphics because they add text, animations, and style. Even the most basic videos can look super professional with Clip Graphics.

Mix that with an effects layer, and you’ll start to see how your footage is going to go to a whole new level altogether. Clip Graphics are excellent for introduction videos like the one on the beginning, advertisements, and even “Subscribe” end screens.

Continuing to tip number three:

Edit your videos to the beat. Music,  one of the essential parts of the whole video editing process. It adds tone and character to your scene or project overall and is the best guide for cutting and trimming clips. Before you start editing, I recommend you take some time and explore all the Music that KineMaster offers. It saves a lot of time, and the best part is that you won’t get copyright strikes. I like to pay attention to the waveforms and, of course, listen to the beat.

That way, I can trim or cut my videos at the right time. When you find the best part to transition to another clip, make sure you tap on the pin and cut it or trim it with the Trimming options. Most tracks will follow a four by four-time signature, which one is 1,2,3, 4 cut. And then that sends you over to another clip.

If you follow this technique, you notice how your footage changes with the beat. Speaking of audio,

tip number four is:

Sound Effects. KineMaster includes Sound Effects within the Music section of the Asset Store. Sometimes the environmental audio is not loud enough, but with Kinemaster, we can elevate our videos’ sound design. In this clip, there is no splash audio since it’s so far away. With KineMaster, we can include a Splash sound effect to enhance the immersion. Make sure you keep an eye on the audio levels for consistency.

I try to keep my audio levels at around 75 to 80 percent. Make sure you tap on your clips and adjust the audio accordingly.

Tip number five:

Export and Export again and again. We often export one video and repurpose it across different platforms, but not all platforms treat your videos the same way.

For example, YouTube and Facebook support videos up to 4K, and it scales down according to the user’s device. Instagram, on the other hand, caps at 1080p. I don’t know if you’ve ever noticed, but when you put 4k videos on Instagram, they kind of look weird, like super extremely sharp. Like so intense, it makes them look weird.

So make sure you export your projects according to the platform as many time as you need. KineMaster offers multiple resolution options. Up to 4K with cinematic 24 fps, motion, and gaming-friendly 60 fps.

This is going to allow you to see how the whole project looks. If you need to make any adjustments remember to tap in your clip, go to Adjustments, complete all the necessary changes to your Brightness, Contrast, Saturation, so it looks the way you want them to look for the platform of choice. But I want to know what you think.

Let me know your thoughts in the comments section down below. If you have any questions or suggestions, drop them down there. If you don’t have KineMaster, you can download it in the Google Play Store or the App Store; links are down in the description. Once again, thank you so much for sharing your time with me; I’ll catch you on the next one.

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See Through My Eyes with Josh Morgan | Kinemaster pro tutorial

What’s going on guys? In today’s video, I’m going to be showing you how to create the excellent Macro Eye Zoom transition shot. This is a great way to transition from one scene to the next for your video projects or a simple vlog. Kinemaster pro tutorial

This is a great thing to use. First things first, you need a simple shot of you getting very close to your lens. You can use your professional camera or your iPhone; it doesn’t matter. KineMaster supports a ton of different files, even if it’s 4K.

That’s precisely what I did. I tried my best to fill up the entire frame with a little section of my face. Again, you want to get as close your eye as possible without going out focus. Now let’s open up KineMaster, and start a new project. [ you now read show Kinemaster pro tutorial ]

Pick the 16:9 widescreen aspect ratio. Let’s import our eye-opening shot, right here. Don’t forget you need a secondary image to transition into. In today’s video, I’m going to be using a drone shot. Let’s scroll to the best part of the clip.

It’s right about here. I’m going to trim it by moving the slider, right about there. You can do these multiple different ways. You can have the shots start with you opening your eye or closing your eye. Or you can have your look static and not moving.

Let’s do it with me opening my eye. Scroll to the best part here. Right about here. Then trim it. I’ll wait until I open my eye, right back there. And then I’ll add a freeze-frame of this shot. Select the clip and make sure the mark is the right point of the image. Go to Trim/Split and then Split and insert freeze frame.

I want the freeze-frame right here. I want to playback the footage, and when I open my eye, it’s a freeze-frame. During this freeze frame, we’re going to create that movement in towards the vision. The last bit of the clip here we can remove. Now import the next shot or the following clip by using the Layer tool.

Go ahead and select the Layer, Media, go to All, and select the second shot. We can resize it as big or as small as we want. But we’re going to do a Mask. That will allow us to select a piece of this clip and put it over the pupil of my eye. Go to Cropping, then choose Mask. Tap on Shape and select Circle.

Resize it however you want. Try to get it as circular as possible, so that way it will match your eye pretty well. Now add a feather which will smooth out the edges of the circle. This will make blend better with our vision.

Just like that, perfect. Great. I’m going to make some minor adjustments here. Perfect. Select the Check Mark, and select the clip again. I’m going to use my two fingers here and resize it and move it over to my eye. Very gently now, we want to be very precise. This is what we have so far.

Your goal is to block out the deep black part of your eye or the pupil with that drone shot or other shot you decide to use. Add a Fade In transition. Select the clip, go to In Animation, then Fade. Now, all we have to do is mess around with the timing. I’m going to position the clip where I think is appropriate. Let see… right here. Play it back to check your work. Trim the drone clip.

Export the clip as is. Hit export, 4K at 24 fps, High Quality, Export. Great. Now go to the home screen of KineMaster. Create a new project, select 16:9, and import what you just exported. Go to Media and import the clip that you just exported. Here it is. Perfect! Select the clip.

Right where the drone clip stars to fade into the centre of our eye, we are going to do a zoom. Directly there is when I want the zoom to start, so I’m going to the Trim/ Split tool. Split a Playhead.

Tap the Checkmark. Then select that clip. Now I’ll use the Pan and Zoom and zoom in through the pupil of my eye. We’re at the start position, which we’re will leave alone. The end position is where we are going to zoom in.

Use your two fingers and pinch in into this drone shot. It’s going to get very blurry because of the resolution, but don’t worry, we going to add in the high resolution or the full resolution of the drone clip on this next shot. Let’s see how it looks so far… I want to speed it up just a little bit. It’s too slow for me. I’m going to trim the clip some more. Let’s see how that looks.

Great, so I’m going to mess around with the Pan and Zoom and make sure that the end position is adjusted there. Perfect! I’m going to import my drone shot which is the high-resolution version. There it is, right about there.

That’s looking great already. Let’s play it back. Let’s add in a subtle crossfade transition between the eye zoom and the full resolution drone shot, so it doesn’t look choppy.

Go to the Plus button here and scroll over to Classic Transitions. Tap on Crossfade. Scroll over to the minimum timing setting, so that it’s a rapid cross dissolve. That way we won’t notice it. Hit the Check Mark button. Let’s play it back. Very Nice. There you go, guys! That’s how you create that Macro Eye Zoom transition. It’s pretty easy in KineMaster.

Takes a little bit of practice, but overall it should take you about 5 to 10 minutes to make this effect work. You can also add some cold colour grades to make the footage match your eye even better. If you’re interested in checking out KineMaster, click on in the link description box below. See you guys in another video.

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Kinemaster Tutorial: How to Edit Video on Android and iPhone!

In this Kinemaster instructional exercise, you will adapt precisely how to alter video on Android and iPhone utilizing Kinemaster, bit by bit. (playful music) Hey, it’s Justin Brown from Primal Video, where we help you enhance your business and brand with video.

In case you’re new here, try to click that buy-in catch and all the connections to all that we notice in this video, you can think that it’s connected in the portrayal box underneath. Along these lines, we should bounce into it. Kinemaster is outstanding amongst other video altering applications on Android, iPhone, or iPad at present. It packs in a massive amount of expert-level usefulness with the goal that it can get a touch of overpowering for new clients; however, don’t stress. In this video, we will take you through a total alter, bit by bit, to know precisely how to utilize it. Furthermore, as we experience, told me in the remarks, what’s your most incredible tip for new clients using Kinemaster.

It very well may be from this video, or it tends to be something different than you’ve gotten from playing around yourself. Furthermore, only a heads-up as we get into it, we’re not covering off on each component here; I’m merely going to show you the critical stuff that you have to know to capitalize on the application and to begin getting extraordinary outcomes as quick as could be expected under the circumstances.

A significant aspect of that is the cycle, regardless of what altering programming you are utilizing. To help with this, I’m going to take you through here using the Primal Video technique, which is the most professional approach to alter your recordings down with negligible sat around and revise. Furthermore, there’s a connection in the depiction box underneath where you can download your duplicate of the guide and track with us and use it in your altering starting now and into the foreseeable future.

Alright, so here we are in Kinemaster; this is what you see when you first open up the application. Before we bounce into making our altering venture, it’s a smart thought to get your application set up. So go to the settings button down in the base left-hand corner.

Also, here, you can oversee things like your record settings. You have your altering settings and the default settings for the vast majority of your activities, similar to the photograph term, layer length, and default settings for photograph editing.

Presently, this is one that I would suggest you change, and this is an inquiry we get posed to a ton when individuals import their photographs it applies this “Ken Burns” impact, or this moderate container or some movement across it. If you don’t need that, and you need to bring your photographs in, at that point, change this base setting here to either “fill screen” or to “fit in the screen.”

So I’m going to leave it on “fit in the screen.” You’ve additionally got sound account settings, and there are some arranging settings on how your ventures are arranged or recorded when you have a store of them in a hurry. In any case, it is ideal to note back up here under data, under about my record, this is one spot where you can buy a membership to Kinemaster.

Or then again, on the off chance that you’ve just got buy and you’ve quite recently introduced the application, this is the place you’ll reestablish that buy on your gadget. So by having a membership, this is the place you can eliminate the entirety of the watermarks. You can get to the exceptional resources, things like stock film, title layouts, and different impacts. Furthermore, some other progressed highlights.

In any case, for this walkthrough, we’re not going to show you with a membership; this is the free form. So we’ll pull out of this now. So once you have those settings arranged, the initial step is to make your venture. So we’ll hit the large catch in the center there. It will solicit you what type from the video you need to make; a 16:9 a widescreen, a 9:16, a picture, or a 1:1 like a square video. One thing to note here is that you can’t return and trade later once you pick this and begin altering.

You’ll need to begin another task for another angle proportion or new size sometime in the future. At present, it is highly unlikely to switch between them once you’ve started altering. For this instructional exercise, I will take you through with a 16:9 or widescreen video.

So this is the Kinemaster altering interface. They hover in the upper right-hand corner is the place we can import the entirety of our media or resources, sound, record voice-over, include extra video layers, and bring different things into our course of events.

Furthermore, hitting that red catch in the center will open up the camera to take photographs and record recordings legitimately in the application. You can see my unique, untidy, link set-up behind where I’m recording here. There’s additionally a little symbol up there to get to the commercial center or the benefit store. This is also where you can buy things like impacts, overlays, advances, music, and different text styles. Back out of this now.

The vast segment down in the base is your timetable; this is your altering workspace territory. This is the place the altering will occur. Down the left-hand side, you have a couple of symbols there. The first is the back catch; you have fix, you have re-try, help, settings. You have a catch there to extend out your video layers.

So if you have a load of video layers or a convoluted timetable here and you need to fill the screen with that or make that more conspicuous, that is the thing that that catch does. What’s more, the last net down the base left will let you hop between your video’s beginning and your video’s finish. What’s more, the enormous black box at the head of the screen there is your playback screen or the window that is going to playback your video while you’re altering it.

Presently, if you have the free form of the application, you’ll see that little garbage bin symbol up there; on the off chance that you push on that, that will let you again join to eliminate that watermark. Okay, so we’re going to hop straight in, import some recording, and take you through the cycle for altering in Kinemaster.

So we’ll tap on media up the upper here, experience, and discover the video records that you need to drop in. When you tap on them, they show up down on your timetable. Experience and include all your essential clasps; the real center substance you need to alter in your recordings adds those to your list. At the point when you’re set, hit the tick in the upper right-hand corner to return to the altering mode. So we got our clasp down on the course of events.

If we tap and swipe left and right, at that point, we can move around our recording here. We can squeeze to zoom, to zoom in and out on that recording. On the off chance that you have different clasps in your timetable, you can tap and hang on them, and you can get them and move them around to trade their request or change their situating in your general story. Presently, as a rule, when you’re altering down recordings, I would consistently suggest that you spare the entirety of your shading impacts and shading reviewing until the end. In Kinemaster, I’d propose that you do the whole of your shading gradings or get the hues near where you need them, forthright.

Furthermore, the thinking for that is now how the application works: it’s impossible to reorder your shading impacts or shading evaluations or settings across different clasps. So it’s a lot simpler to make the entirety of your shading acclimations to one major clasp here or a few major clasps in your course of events rather than to conceivably stores or many them in your timetable once you’ve completed the process of altering.

To do that, tap on your clasp, and you get an entire additional arrangement of alternatives that open up here in the upper right-hand corner. Presently with regards to shading reviewing, you got two primary territories. You can apply a shading channel, and this is similar to an Instagram channel, a pre-set that you can use to your clasp. So I’ll give you that, and on the off chance that we tap on shading channel there, under fundamental shading impacts, we have a stack of little pre-sets in here.

While there’s a ton here, I don’t by and by considering any they are anything remarkable. On the off chance that it coordinates the kind of video you’re making, at that point, use them, yet much of the time, you’ll most likely need to choose “none” for shading channel and return out and make your modifications only utilizing the shading change down in the base here. We tap on that, and here you have command over the brilliance, the difference, and the immersion.

So we may see up the differentiation, up the brilliance a smidgen, light it up back up, and perhaps include a tad of immersion in here to bring those hues out. So you can see we’re not making massive changes here; we’re merely tweaking this marginally to make it look somewhat better.

So once you’re finished with that, hit the tick in the upper right-hand corner to return to altering. What’s more, once more, that is generally done last, yet to spare creation those equivalent changes on each clasp, we’ll do it here in this cycle for Kinemaster.

Okay, so the following stage at that point is to begin chopping down your recording. So select the main clasp in your timetable, and you’ll see you get a yellow box around the outside. Presently on either side, the left and right half of that case, you can see that you have a more exhaustive yellow; those are designated “handles.” So if we get on that left one, tap and hold and drag to one side, we are changing the beginning position or where this clasp will begin.

Presently, this is a test film, so that it will be in a sentence someplace for this situation. However, you would make this where you need this clasp to begin. To secure that, you let go, and the grip currently starts by then. Similarly, toward the finish of our snare, we’ll scour across here until we find where we need our clasp to end after stating, “I’ll see you soon,” someplace about there.

Presently we can either get that handle again and quit for the day hole to that point and have our video finish there, or there is another way we can do it. With altering, there’s consistently various ways you can get things done. With the clasp chosen, we can concoct the top here to “trim/split,” and there you are courageous apparatuses in here, yet you’ve likewise got some indeed progressed ones. Most altering programming will have the alternative here for “split at played,” so you could part the clasp by then and erase that additional clasp.

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Incredible DIY Film Tricks with Riley McCann | kinemaster mod apk

Hey guys! It’s Riley with some creative ideas around videos you can quickly shoot at home. And just about everyone has dishwashing soap, which means you can do this with kinemaster mod apk.

Filming with bubbles is a lot of fun, and it’s challenging too because the bubbles drift around, and it’s hard to get them in just the right place.

To make the bubbles magically appear in my hands, we need to reverse this footage, which we can do easily in KineMaster. Select the clip, select Reverse. And to slow it down just a little, choose Speed, and reduce that slightly.

When you know you’re going to reverse your footage, you need to start in the position. You want to be in when your video ends.

With a little experimentation, you can figure out all kinds of flourishes you can add to embellish what is already a neat looking trick.

Another way to add interest is with Overlays from within KineMaster.

This overlay I’m using for this clip is called Mysterious Fog, and it’s available from the app store at no extra cost with a Premium subscription.

By the way, thanks to everyone who signed up for a Premium subscription. It helps us to keep developing the app, and don’t forget; you can save up to 50% by paying for your subscription annually.

Once you have your fog in place, you can easily duplicate it to extend fog all along your timeline. If you overlap each clip slightly, it will give the impression of continuous mist rolling across the floor. I dragged each overlay out a little larger than my screen, So I can quickly move it around and have each instance in a slightly different position with varying opacity.

You can also fade an overlay in and out to ease between the different instances. The next thing I did to make this trick stand out was to download the overlay ‘Speed Lines’ from the Asset Store.

I placed this circle swirl over each instance where the bubble popped into existence and used the Keyframe tool to move the overlay to stay over the bubble’s top as it floats away.

A blanket is a cool prop that you can use to make creative videos. Let me show you how. Check it out. And runaway. Well, that didn’t work. Let’s try that again. Let’s forget this idea. I got another one. Making yourself disappear behind a blanket is comfortable and editing this kind of trick is even easier.

All you have to do is cut out the bit between you running off and appearing somewhere else, and you can get a pretty good result, but in KineMaster, we can do better.

It’d subtle but notice here as I run off that you can still see my shadow on the wall simultaneously as I appear from behind the couch.

The way to do this is to have the second appearance as a separate layer and then crop away the image’s right to reveal the layer below.

As I appear from behind the couch, I cut the overlay footage and remove the crop.

To sell this effect, let’s go into Adjustments and fine-tune the clip’s levels until the exposure levels match the clip below. Easy! Add some overlay. And some sound effects. And you’re done.

By the way, these cartoon sound effects are my favorite, and I love that everything is so easy to find in the Asset Store, thanks to these nifty category folders in each section.

My final video was a bit of fun trying out an effect, I saw using a green screen, and it’s a great way to get ahead in life.

Try this effect with a friend, film yourself with a piece of bright green or blue fabric covering your body, and then jump out of the way, so you get a nice shot of the background. Split your clip with the experience on the bottom layer and your friend’s footage over the top.

Within KineMaster, select Chroma Key, and play around with the settings here until your body disappears.

When you are stuck at home, it’s great fun to experiment with everyday items, like a blanket, bubbles, or a colored sheet you can key out in the app.

My challenge for you is to have a go at recreating these tricks yourself, and if you do, be sure to post a link to your video below. I’m Riley, and I hope you enjoyed this KineMaster tutorial. Like, Share, and Subscribe, and I will see you in the next video.

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An Easy yet Successful Video editing tool

KineMaster is just a straightforward yet successful video editing tool. Though you can use it to develop a video in only a couple of seconds, it can also do many complicated projects if you would like to devote extra hours.

Even though it’s slightly more challenging, in KineMaster, you can edit the video straight from the timeline. This permits you to incorporate various transitions between video items (either videos or photos ) and add cubes of text or subtitles. it An Easy yet Successful Video editing tool

KineMaster can be a video editing tool that unites a tabbed interface using a fantastic consumer experience and a vast assortment of powerful features, which means it’s possible to build the videos you would like precisely the way you would like them.

Employing KineMaster is quite simple: pick the articles that you need to grow your video from the sequence you would like to buy and insert a name to the last composition. Next, you can go for a standard theme for the video, which also adds a debut. This can be all you’ve got to complete… however, naturally, you may even edit at greater detail if you would like to.

After you finish editing, then KineMaster enables you to save your job right to your device in various qualities. And you could even upload the video straight to your Facebook or even YouTube accounts.

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